THE INNOVATION OF LONELINESS
Labels: Design, MotionGraphics
Labels: Design, MotionGraphics
Via: Stratechery“Part of the job of a designer is to try to understand what happens between physically seeing something and interpreting it.”
Labels: Design
Via: Daring Fireball, The Trend Against Skeuomorphic Textures and Effects in User Interface Design.“The trend away from skeuomorphic special effects in UI design is the beginning retina-resolution design era.”
@gruber nailed it.
Labels: Design
“To clarify, add detail. Imagine that, to clarify, add detail. Clutter and overload are not attributes of information, they are failures of design. If the information is in chaos, don’t start throwing out information, instead fix the design.”
Edward Tufte.
Labels: Design
“The edge of the ring reads 'E Cosi Desio Me Mena' which translates from Italian to 'And So Desire Carries Me Along', a quote from Petrarch's 1342 work.”
Labels: Design
“Designers love to hate skeumorphism…”
Labels: Design
Labels: Design
“"I refute that design is important. Design is a prerequisite. Good design -- innovation -- is really hard."
Labels: Comics, Design, Illustration
Link: Steve Jobs, by Stephen Fry“Only dullards crippled into cretinism by a fear of being thought pretentious could be so dumb as to believe that there is a distinction between design and use, between form and function, between style and substance.”
“The husband-and-wife team of Charles and Ray Eames are widely regarded as America’s most important designers. Perhaps best remembered for their mid-century plywood and fiberglass furniture, the Eames Office also created a mind-bending variety of other products, from splints for wounded military during World War II, to photography, interiors, multi-media exhibits, graphics, games, films and toys. But their personal lives and influence on significant events in American life – from the development of modernism, to the rise of the computer age – has been less widely understood…”
From Vimeo: “Repositories of stories and its enriching emotions, the covers, that accomodate the existing panoply of musical genres, are the motto for this exibition. The focus is made on album covers that often conquer our memory even when music slightly reached our ears. Major graphic disasters or deified, unduly ignored or zeitgeists, covers provide listening with a touch and an image, with the act of collection and share. From cover to cover, going thru all the stories (and histories), we wrote a new one to the sound of a song that repeats: I need nothing, I’ve everything I need.”